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R E V I E W S
BACK TO PRESSKIT
With classical influences and studies with jazz improvisational
masters saxophonist Warne Marsh and vocalist Jay Clayton behind
her, Maryanne de Prophetis, also an award winning poet, is a name
decidedly outside the saturated mainstream world of jazz vocalists.
Her debut CD A Glance is the work of a trio formed in 2002 with
pianist Frank Kimbrough and trumpeter Ron Horton. Kimbrough and
Horton, already well-established, consummate and versatile artists,
have been among the most active members of the Jazz Composers Collectivea
group of musicians formed by the inspiration of New York-based bassist
Ben Allisona group free to explore new territories of improvisation
and composition.
The musical essence that breathes through the eight compositions
of the CD is a kind of minimalist sound, due to the absence of bass
and drums, which contributes to the nearly chamber-like ambience.
The piano of Kimbrough works by crystallizing, distilling notes
with purity, while endowing silences and pauses with meaning. The
flugelhorn of Horton, with haunting melodies and sub-melodies, elegantly,
like steps in the night, illuminates the assymetrical vocal unfoldings
of de Prophetis.
As for the vocal . . . a supple and expressive mezzo which winds
itself through the most intimate twists and turns of the refined
harmonies, freely exploring the open zones between composition and
improvisation, manifesting itself warmly and sincerely, unpretentiously,
without sharpness or shrillness . . .
Among the eight compositions (not all on the same level), All These
Years, You and Dog Walker in particular stand outAll These
Years recalling a certain European experimentalism of the 70s,
the nocturne You with the soft flugelhorn of Horton in evidence,
the magnificent Dog Walkerone is made to think of Lennie Tristano
the year he met Jeanne Lee
Enchanting.
Vincenzo RoggeroAll About Jazz, Italy
(translated from the Italian by Anna Tollin)
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